The Mountain Goats have announced a new album In League With Dragons. It’s out April 26 via Merge. They’ve also released a new song from the record called “Younger.” Listen to it below; scroll down for the tracklist and John Darnielle’s statement on In League With Dragons.

The Mountain Goats embark on a 
North American tour in April. Their last studio album, Goths, came out in 2017.

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The Mountain Goats Announce New Album and share new song "Younger”


The Mountain Goats have announced a new album In League With Dragons. It’s out April 26 via Merge. They’ve also released a new song from the record called “Younger.” Listen to it below; scroll down for the tracklist and John Darnielle’s statement on In League With Dragons.

The Mountain Goats embark on a 
North American tour in April. Their last studio album, Goths, came out in 2017.

 

In League With Dragons:

01 Done Bleeding
02 Younger
03 Passaic 1975
04 Clemency for the Wizard King
05 Possum by Night
06 In League With Dragons
07 Doc Gooden
08 Going Invisible 2
09 Waylon Jennings Live!
10 Cadaver Sniffing Dog
11 An Antidote for Strychnine
12 Sicilian Crest

Check out “Younger” from In League With Dragons

The Mountain Goats’ John Darnielle:

This album began life as a rock opera about a besieged seaside community called Riversend ruled by a benevolent wizard, for which some five to seven songs were written. When I’m focusing on a project, I always distract myself from the through-line with multiple byways, which are kind of like mini-games within the broader architecture of a long video game. As I worked on the Riversend stuff, weird noir visions started creeping in, probably under the influence of Leonardo Sciascia (a Sicilian author, he wrote mysteries) and Ross MacDonald’s The Zebra-Striped Hearse, which a friend from Port Washington gave me while I was in the thick of the writing. I thought these moods helped complicate the wizards and dragons a little, and, as I thought about my wizard, his health failing, the invasion by sea almost certain to wipe out half his people, I thought about what such a person might look like in the real world: watching a country show at a midwestern casino, or tryout pitching for an American League team years after having lit up the marquees. Finally, I wrote the title track, which felt like a drawing- together of the themes in play: rebellion against irresistible tides, the lush vistas of decay, necessary alliances. I am earnestly hoping that a new genre called “dragon noir” will spring from the forehead of nearly two years’ work on these songs, but, if not, I am content for this to be the sole example of the style.

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Austra "Being in a toxic relationship can sometimes feel like being lost in a maze."

Austra "Being in a toxic relationship can sometimes feel like being lost in a maze."

Being in a toxic relationship can sometimes feel like being lost in a maze. Every attempt to turn a corner lands you back where you started. Austra aka Katie Austra Stelmanis announces her fourth album. HiRUDiN is both a bold acknowledgement of such patterns of behaviour and a testament to the power of breaking them.

Katie Austra Stelmanis has been better known by her middle name for three albums, ten years, and countless tours. She wrote, produced, and performed all her own records, occasionally sharing the spotlight with a band to tour live. From the outside, things were going really well for a while: she built a devoted fan base and sold out shows all around the world. However, on the inside, Stelmanis was beginning to feel stagnant and uninspired. "I was losing faith in my own ideas," she explains. Without realising it, she'd got caught up in a toxic relationship that was tearing her apart.

It wasn't until Stelmanis was ready to face her insecurities that she was able to see a way forward: "My creative and personal relationships were heavily intertwined, and I knew the only answer was to part ways with all of the people and comforts that I'd known for the better part of a decade and start again." Alongside making changes in her personal life, HiRUDiN saw Austra taking an entirely different, free-spirited approach to making a record. Seeking out all new collaborators, she booked three days of sessions in Toronto with improv musicians she'd never met before. They included two thirds of contemporary classical improv group c_RL, the cellist and kamanche duo Kamancello, kulintang ensemble Pantayo, and a children's choir.

Accumulating a vast and vibrant mass of source material, Austra then holed up in a studio in the Spanish countryside and took a collage approach to sampling, arranging, writing and producing to reveal the songs that would form the album. "I found myself really enjoying the role of producer for this record," she says, "directing and arranging a very disparate array of parts and people and feeling strong in my own conviction for what I wanted it to sound like." HiRUDiN additionally saw her work alongside co-producers for the first time, Rodaidh McDonald and Joseph Shabason, and she brought in David Wrench and Heba Kadry to mix and master the record respectively. "It was incredibly liberating and a huge learning process to work with so many different people," she says. "I felt completely revitalized."

While Austra's third album, Future Politics, was concerned with the external power structures that shape society, HiRUDiN points inward. It traces a deeply personal journey towards regeneration, dealing with the fallout of toxic relationships, queer shame, and insecurity along the way. Named after the peptide released by leeches that is the most potent anticoagulant in the world, HiRUDiN is about the importance of healing the self, letting go of harmful influences, and finding the power to rebuild through exploring your innermost desires. It reaps the rewards of Austra's leap into the unknown, in her most introspective yet inventive statement to date.

Playground Music Playground Music
13.05.2020